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SAVE THE DATES | AUGUST 6-17, 2026

INTENSIVE 1 : NURIA BOWART & RAY CHUNG

INTENSIVE 2 : SHERWOOD CHEN

WEEKEND JAM WITH KAREN PALAFOX & CINTHIA NAVARRO

 

+ offerings from guest artists throughout the festival

 

intensives | classes | labs | jams | room + board

We offer you this somatic experience-structure that supports restorative processing within a group container. The daily morning practice and silent mornings will bring a slow and meditative beginning to each day. Writing and drawing will help process what arises, settles, and releases. The schedule will be built around two 1hr Group Shakes. We shake to music {most of the time}, together for a duration with the emphasis on shaking and rocking the body in various ways. 

This week long workshop is a collaboration between martial arts and dance through the lens of partnering. We will work with Capoeira, Jiujitsu, music and dance, anatomical knowledge and the overall sense of play.. This is a familiarization of our own spectrum of collaboration and competition: understanding how we are engaging in them, and how they influence what we are capable of.

This workshop will be a focused container for the study and practice of Contact Improvisation. Classes will range from slow, subtle, and meditative material surrounding presence, listening techniques, and somatic exploration, to dynamic, playful and athletic dancing scores. We will review foundations for dancing with weight in motion, and entering into and out of touch.

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‘There's the work of making dance, and then there's the work of making a world, or remaking it. I felt like the Field Center's ethos is built on the conviction that those two projects are inseparable.

The place itself is a beautiful one -- magic -- and but it's the care, thoughtfulness, and beauty of what is being built between people there that have remained with me quite deeply.
- Agnes Borinsky | PANDA LAB Participant

Our monthly Contact Improvisation jam!

2nd Wednesday of the month at 6pm. Classes with rolling teachers into open jamming. 

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